Here’s Sam Strickland’s fascinating photography project about migration from Sylhet to the UK.
Category Archives: multimedia
A friend and colleague of mine, Dr. Federica Mazzara, a fellow at the UCL Mellon Programme, has recently started a blog, entitled, Moving Boarders: The Aesthetics of Migraton. I had the opportunity to meet Federica this past December and in March, she organized a workshop on the Aesthetics of Migration at UCL which I had the chance to present a paper on the use of parody in photoshopped and YouTube clips by those who are 2nd generation Iranian in the diaspora.
I hope that you take the time to visit Federica’s blog as it has great commentary and links about Italy, migration and visual cultures.
Are you between 15 and 30 ? Do you feel like you have things to say
about Intercultural Dialogue in Europe? Do you like expressing
yourself with video?
The European project Xenoclipse.net is inviting young video/filmmakers
to submit their short clip now. We are looking for the most original,
creative and/or nuanced portrayal of cultural diversity in your
country, city, town, school, street or family…
What intercultural dialogue and cultural diversity mean we want to
leave up to you! You will be the ones showing diversity from different
Your clip can be a short film, video-art, documentary, musical clip,
news item… Up to 15 nominees will be contacted and invited to
Barcelona for the international Award Event on November 21st and 22nd,
2008 and the winners will receive a prize award.
For more information look at: http://www.xenoclipse-net.eu/
My good friend Abdul Kargbo, has put up an interesting post on all the photos he has taken on his camera phone in and around the Washington D.C. area of anti-establishment and anti-war graffiti. Those with a keen interest/research in visual culture and anti-war activism will certainly enjoy his commentary.
I hope that the American public finally wakes up to the reality of what 8 years of Bush has done to ruin the US, and elects someone who has the foresight to fix and truly heal the nation!
I am a connoisseur of humor and satire. In fact, on those days that I feel blue and find life a bit overwhelming, I retreat into my room and watch a few YouTube clips of stand-up by Dave Chapelle (famous for his Comedy Central show, Chapelle Show), Margaret Cho, and Russell Peters among others. Sometimes, I’ll look up old Saturday Night Live skits from Dana Carvey and Phil Hartman. Friend have witnessed me on my own hilarious musings and I know that if a person is down in the dumps, nothing gets one out of their doldrums better than deep, belly-filled laughs!
I’ve decided to combine my love of humor into my own examination of the Iranian Diaspora, specifically how 1.5 and second generation Iranian diasporics utilize photoshopping to create digitally altered and humorous images poking fun of Iranian and US/UK politics, and Iranian culture in Iran and in the diaspora among other themes. I first presented a rough version of this at the Third Annual BRISMES Graduate Conference at Wolfson College, Oxford, and will expand the theme to explore how diasporic Iranians are also utilizing Youtube to make their own home-grown humor exploring such things as dating, inter-generational issues (i.e.: 1.5 and second generation Iranians versus how their parents act in daily life), and double standards in how parents treat young women and men in the diaspora. I’ll be presenting my findings at the Moving Borders: The Aesthetics of Migration, part of the Mellon Lecture Series at UCL. My colleague, Dr. Federica Mazzara has been marvelous in organizing the entire event and I am excited by all the interesting papers that will be presented, especially one by my friend Alpesh!
Perhaps another motivation for my recent interest into humor and parody in the diasporic Iranian landscape has a lot to do with how Middle Easterners are portrayed and essentialized as being either overly sensual/sexual or barbarically violent. In between these two massive stereotypes is the picture that Middle Easteners are also devoid of any humor or parody. Well, take away the stereotypical images usually presented and there is a very rich history of humor, especially in the Iranian context. I grew up on the parody short stories of Mulla Nasruddine. For the diasporic Iranian community, there is a plethora of talented stand-up comedians, such as Omid Djalili, Shappi Khorsandi, and Maz Jobrani to name a few. These comedians are answering back to many years of bigoted assumptions through the use of wit and humor. Who says that Iranians can’t appreciate a good laugh?
Against All Odds – online game
The UN Refugee Agency UNHCR has just launched an English language version of their Against All Odds online game – click link above to play. The game is designed to be of educational value and is primarily aimed at schoolchildren.
Further background information at http://www.unhcr.org/news/NEWS/4731b5064.html
Gamers get taste of refugee life
Projecting Migration – Transcultural Documentary Practice
Edited by Alan Grossman and Áine O’Brien
Migration is one of the major political issues of the current era and increasingly determines who we are and how we define ourselves. Projecting Migration: Transcultural Documentary Practice is a groundbreaking book/DVD-ROM project that explores migration in locations as varied as Lebanon, Ireland, South Africa and the US/Mexico border. Through its diverse collection of essays, films, photography and audio recordings, the project offers a dynamic, fresh approach. Each essay is cross-referenced with DVD chapters of original footage to provide unique practical examples of ethnographic filmmaking, as well as perspectives on the subject not usually portrayed in the media. Continue reading
Join in a lively online debate about immigration, inclusion, and refugees at www.friction.tv
Three volunteers from 19 Princelet Street, the Museum of Immigration and Diversity, have uploaded three very different videos about these issues, and need your support to help make this a hot debate. To join the debate please visit:
by Aris Oziar
For the past three months I have been working on a
website project called FiftyRefugees. As the name implies, it chronicles the
story of 50 refugees who currently call Malaysia their home.
Malaysia does not recognise the Geneva Refugee Convention, and partly as a
result of this (we have other legal avenues to give them rights, such as IMM13
but the government has refused to act), Refugees in Malaysia who cross the
border illegally or whose visa has lapsed are classified as Illegal Immigrants,
subject to arrest and detention by the police, RELA and Immigration.
They have restricted access to healthcare services and the children cannot go to
government schools, effectively denying them education.
As a Malaysian, I am outraged to hear their stories of Malaysia – 3
years of detention or living in makeshift jungle camps / jungle due to fear
of arrest. Stories of a 6 year old girl whose last visit to town was 4 years
ago (the mother is too afraid to bring her out), and her 55 year old father who
eventually died because the police took all their money the one time they were
desperate enough to go to the hospital to treat his illness. And of course, of
the Malaysian immigration authorities dumping them across the border in
Thailand, where they are rounded up by agents and either pay these agents to
get back to Malaysia , or face slave labour – the men in fishing boats and the
women, probably sold to the sex trade.
I want people to know that refugees do exist in Malaysia . To know that they
braved a dangerous journey to Malaysia to escape atrocities in their own
country. To know that most of them live a marginal life, often exploited,
almost always in fear.
The next feature of Exiled Ink Magazine will focus on:
Exiled writers’ relationships to their new British space and the British relationship to them. How do you express this in poetry, prose and drama?
We are particularly interested in work by exiled writers living outside London.
Please send to: firstname.lastname@example.org
Please send all other articles, poetry, prose, drama and images to: email@example.com
Deadline: End of September